GetOut

Twitter 2017-01 entertainment archived Updated 2026-02-21
Late 2010s Notable 16 million+ lifetime posts

First documented in January 2017 on Twitter. Archived: no longer in active use, preserved here for the historical record.

Also known as: GetOutMovieGetOutJordanPeeleSunkenPlace

Jordan Peele’s directorial debut redefined social horror, became a cultural phenomenon examining racism through genre filmmaking, and launched one of cinema’s most important new voices.

Breakout Success

Get Out premiered at Sundance in January 2017 and became an instant sensation. Made for just $4.5 million, the film earned $255 million worldwide—a 56x return making it one of the most profitable films ever.

The film follows Chris (Daniel Kaluuya), a Black photographer visiting his white girlfriend Rose’s (Allison Williams) family estate, where he discovers a sinister conspiracy involving the hypnotic enslavement of Black people.

Social Horror Revolution

Peele’s film reinvigorated social horror, using genre conventions to explore microaggressions, liberal racism, and the commodification of Black bodies. The film made horror a vehicle for racial commentary in ways that resonated across demographics.

The movie spawned imitators and elevated expectations for genre films to engage with social issues beyond surface-level scares.

”The Sunken Place”

The film’s central metaphor—the Sunken Place where victims are hypnotized into powerless observers of their own bodies—became cultural shorthand for marginalization, silencing, and systemic disempowerment.

The phrase entered political discourse, with activists describing oppressive systems as “sending people to the Sunken Place.”

Oscar Recognition

The film earned four Oscar nominations, including Best Picture—rare for horror. Peele won Best Original Screenplay, becoming the first Black writer to win in that category.

Daniel Kaluuya’s Best Actor nomination helped legitimize horror performances for Academy consideration.

Cultural Conversations

Get Out sparked countless think pieces and conversations about:

  • Liberal racism and “good white people” as threats
  • The danger of colorblind ideology
  • Historical context of medical exploitation of Black bodies
  • Performance of allyship versus genuine solidarity

TSA Hero

The character Rod (LilRel Howery), Chris’s TSA agent best friend, became an unexpected cultural hero—representing the friend who believes you and will break rules to save you.

References: Universal Pictures, Academy Awards, Box Office Mojo, Sundance Film Festival, Rotten Tomatoes

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